The Metropolitan Opera has a complex and sometimes contentious history with regards to Black performers. In the early 20th century, Black singers faced significant barriers to performing at the Met due to racial discrimination and segregation. However, there have been several notable breakthrough moments for Black artists at the Metropolitan Opera.

One of the most significant moments in Black history at the Met was the debut of Marian Anderson in 1955. Anderson, a world-renowned African American contralto, became the first Black singer to perform a leading role at the Met when she sang the role of Ulrica in Verdi's "Un ballo in maschera." Her historic performance paved the way for future generations of Black opera singers.

Since Anderson's breakthrough performance, the Metropolitan Opera has showcased many talented Black singers on its stage, including Leontyne Price, Grace Bumbry, Jessye Norman, and Eric Owens, among others. These artists have made significant contributions to the world of opera and have helped to diversify the ranks of performers at the Met.

While the Metropolitan Opera still grapples with issues of diversity and representation, the successes of Black artists at the Met serve as a testament to the talent and perseverance of Black performers in the world of opera.