"Hiawatha's Wedding Feast" is a choral work composed by Samuel Coleridge-Taylor, an Afro-British composer, in 1898. While Coleridge-Taylor was not Black American, his work has significance in Black history as he was a prominent figure in the Black classical music world during his time. His compositions drew heavily on African themes and melodies, and he became known as the "African Mahler" for his blending of European classical forms with African musical elements.

"Hiawatha's Wedding Feast" is based on the epic poem "The Song of Hiawatha" by Henry Wadsworth Longfellow, which itself draws on Native American folklore. The choral work tells the story of the Native American hero Hiawatha and his marriage to Minnehaha. Coleridge-Taylor's composition was groundbreaking in its use of Native American and African influences in a classical music context and helped to establish his reputation as a composer.

Although "Hiawatha's Wedding Feast" is not directly connected to Black American history, Samuel Coleridge-Taylor's work and contributions to classical music are important in the broader context of Black cultural achievements. His success as a Black composer in a predominantly white musical world was a significant achievement and paved the way for future generations of Black classical musicians and composers.